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Piano, Voice
G. Henle
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Ludwig van Beethoven: Samtliche Lieder Band I: Voice: Vocal Album
Piano, Voice
G. Henle
Complete Songs for Voice and Piano Volume I-Le r?le de Beethoven en tant que cr...
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Complete Songs for Voice and Piano Volume I-Le r?le de Beethoven en tant que cr?ateur d??uvres orchestrales monumentales d??uvres majeures de musique de chambre et de sonates en solo de premier plan est tellement important qu?on en oublie souvent la richesse de ses lieder. Pourtant ces derniers constituent un r?pertoire extr?mement agr?able dans lequel amour et humour c?toient des contenus philosophiques ou religieux. Outre G?the Claudius Herder Lessing Gellert et Rousseau sont les auteurs des textes mis en musique. Il en ?merge ainsi un panorama de la fin du 18e et du d?but du 19e si?cle avec sa combinaison tout ? fait particuli?re de proximit? avec la nature d?esprit des Lumi?res et de sentiment religieux. L??ditionurtext en deux volumes des ?ditions Henle repose sur l??dition compl?te des ?uvres de Beethoven et comprend ?galement ces lieder red?couverts bien apr?s la mort du compositeur et ainsi longtemps m?connus. Une pr?face d?taill?e sur l?histoire et l??tat des sources des lieder de Beethoven compl?te cette ?dition.
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Ludwig van Beethoven: Samtliche Lieder Band II: Voice: Vocal Album
Piano, Voice
G. Henle
Complete Songs for Voice and Piano Volume II-Le r?le de Beethoven en tant que c...
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Complete Songs for Voice and Piano Volume II-Le r?le de Beethoven en tant que cr?ateur d??uvres orchestrales monumentales d??uvres majeures de musique de chambre et de sonates en solo de premier plan est tellement important qu?on en oublie souvent la richesse de ses lieder. Pourtant ces derniers constituent un r?pertoire extr?mement agr?able dans lequel amour et humour c?toient des contenus philosophiques ou religieux. Outre G?the Claudius Herder Lessing Gellert et Rousseau sont les auteurs des textes mis en musique. Il en ?merge ainsi un panorama de la fin du 18e et du d?but du 19e si?cle avec sa combinaison tout ? fait particuli?re de proximit? avec la nature d?esprit des Lumi?res et de sentiment religieux. L??ditionurtext en deux volumes des ?ditions Henle repose sur l??dition compl?te des ?uvres de Beethoven et comprend ?galement ces lieder red?couverts bien apr?s la mort du compositeur et ainsi longtemps m?connus. Une pr?face d?taill?e sur l?histoire et l??tat des sources des lieder de Beethoven compl?te cette ?dition.
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HANDEL G.F. - NINE GERMAN ARIAS
Piano, Voice
G. Henle
We do not know very much about Handel's compositions on poems by Barthold Heinri...
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We do not know very much about Handel's compositions on poems by Barthold Heinrich Brockes. We can only date their composition to approximately 1724-1727. The autograph does not shed any light on the titles nor the sequence of theworks. It does not even give the instrumentation. Thus there are several alternatives for the solo instrument that imitates the vocal part - although violin, flute or oboe are the most likely. Henle's practical edition not onlycontains additional parts for the solo instrument and the bassbut also a realization of the figured bass in the score by the editor Ullrich Scheideler.
1. Künft'ger Zeiten eitler Kummer E flat major HWV 202
2. Das zitternde Glänzen der spielenden Wellen E flat major HWV 203
3. Süßer Blumen Ambraflocken g minor HWV 204
4. Süße Stille, sanfte Quelle F major HWV 205
5. Singe, Seele, Gott zum Preise a minor HWV 206
6. Meine Seele hört im Sehen B flat major HWV 207
7. Die ihr aus dunklen Grüften B flat major HWV 208
8. In den angenehmen Büschen d minor HWV 209
9. Flammende Rose, Zierde der Erde A major HWV 210
/ Partitions classique / Vocale - chorale / Voix solo - piano / HENLE VERLAG
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Johannes Brahms: Four Songs with Lyrics by Klaus Groth 1st Edition: Voice: Vocal
Piano, Voice
G. Henle
Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition o...
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Frühfassungen aus Lieder und Gesänge op. 59 (Erstausgabe)-This first edition of the ?Regenlied Cycle? is only available from G. Henle Publishers. In the preface Michael Struck an eminent Brahms scholar writes about the distinctiveness of the work untilnow a completely unknown little song cycle by the composer. In it Brahms sets four texts to music by the poet Klaus Groth whom he greatly admired. In the well-known song cycle Opus 59 published by Brahmshimself the Groth songs are also to be found together with other songs.The reason why Johannes Brahms? Violin Sonata no. 1 in G major op. 78 is also known as the ?Regenlied? Sonata becomes clear on acquiring studying and playing this ?Regenlied Cycle?.
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Ludwig van Beethoven: Samtliche Lieder Band II: Voice: Vocal Album
Piano, Voice
G. Henle
Le r?le de Beethoven en tant que cr?ateur d??uvres orchestrales monumentales d?...
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Le r?le de Beethoven en tant que cr?ateur d??uvres orchestrales monumentales d??uvres majeures de musique de chambre et de sonates en solo de premier plan est tellement important qu?on en oublie souvent la richesse de ses lieder. Pourtant ces derniers constituent un r?pertoire extr?mement agr?able dans lequel amour et humour c?toient des contenus philosophiques ou religieux. Outre G?the Claudius Herder Lessing Gellert et Rousseau sont les auteurs des textes mis en musique. Il en ?merge ainsi un panorama de la fin du 18e et du d?but du 19e si?cle avec sa combinaison tout ? fait particuli?re de proximit? avec la nature d?esprit des Lumi?res et de sentiment religieux. L??ditionurtext en deux volumes des ?ditions Henle repose sur l??dition compl?te des ?uvres de Beethoven et comprend ?galement ces lieder red?couverts bien apr?s la mort du compositeur et ainsi longtemps m?connus. Une pr?face d?taill?e sur l?histoire et l??tat des sources des lieder de Beethoven compl?te cette ?dition.
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Robert Schumann: Dichterliebe Op. 48: Vocal and Piano: Vocal Score
Piano, Voice
G. Henle
Song Cycle On Poems By Heine. The ups and downs of disappointed love: who could ...
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Song Cycle On Poems By Heine. The ups and downs of disappointed love: who could fail to sympathize with the feelings that Schumann immortalized in his song cycle Dichterliebe after Heine? The pieces range from hopeful anticipation (?Im wunderschönen Monat Mai?) to solitary grief (?Und wüssten?s die Blumen, die kleinen?) and bitter sarcasm (?Die alten bösen Lieder?). Schumann knew what he was writing about: the cycle originated in the year of his marriage to Clara Wieck, an event that took place only after years of struggle. The tried-and-tested Henle Urtext edition by the Schumann specialist Kazuko Ozawa is now also available for singers with low voice: in close collaboration with the experienced pianist and renowned Lied accompanist Gerold Huber, we have adapted the whole cycle, including the four songs of the appendix, for medium and low voices.
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Franz Joseph Haydn: Zwei Duette - Sopran Tenor Und Klavier: Voice: Vocal Album
Piano, Voice
G. Henle
Carlo Francesco Badini (1715?1810) fut longtemps librettiste pour l?opéra itali...
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Carlo Francesco Badini (1715?1810) fut longtemps librettiste pour l?opéra italien de Londres. En 1791 il écrivit le texte du dernier opéra en date de Joseph Haydn «L?anima del filosofo ossia Orfeo ed Euridice». Puis en 1796 Badini collabora à nouveau avec Haydn et il en sortit deux charmants duos de chambre pour soprano ténor et piano: «Saper vorrei se m?ami» et «Guarda qui che lo vedrai» tous deux situés dans le contexte pastoral alors très en vogue. Ils sont présentés ici en version urtext par les éditions Henle. La complexité de l?état des sources ainsi que des indications relatives à leur publication sont décrites dans la préface détaillée de l?éditrice MarianneHelms.
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Sergei Rachmaninov: Vocalise Op.34 No.14 For Voice And Piano: High Voice: Vocal
Piano, Voice
G. Henle
Original key for high voice-Rachmaninoff composed his collection of 13 songs Op....
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Original key for high voice-Rachmaninoff composed his collection of 13 songs Op. 34 in 1912 but it was only three years later that he added a little closing piece without any text: the Vocalise which soonoutshone the other songs in terms of popularity and renown. Since its first performance in 1916 this expressive melancholy piece has circulated in countless arrangements by others.Rachmaninoff himself made anarrangement for Orchestra and Voice as well as one for orchestra alone. Our Urtext edition contains the original version for High Voice and Piano and is based on the autograph sources in the Glinka Museum in Moscow. A particularhighlight is the separate vocal part that not only serves singers well but also all those instrumentalists who wish to play this wonderful piece using the original solo part.
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Ludwig van Beethoven: Complete Songs for Voice and Piano Volume III: Voice:
Piano, Voice
G. Henle
Complete Songs for Voice and Piano Volume III
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Ludwig van Beethoven: Adelaide Op.46 Voice & Piano Urtext: Voice: Vocal Work
Piano, Voice
G. Henle
Original Key for High Voice-No singer is able to ignore Beethoven’s Adelai...
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Original Key for High Voice-No singer is able to ignore Beethoven’s Adelaide. There are thousands of recordings and many amateurs also love this lyrical setting of Friedrich von Matthisson’s poem. Matthisson himself said of it: “Severalcomposers have breathed life into this little lyrical fantasy with music; but none of them have I deeply believe so put the text into the shade with their melody as the genius Ludwig van Beethoven in Vienna.” We arepublishing the Lied in a new practical single edition that follows the musical text of the Beethoven Complete Edition with a detailed preface by the specialist on Beethoven’s Lieder Helga Lühning.
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Ludwig van Beethoven: Complete Songs for Voice and Piano Volume III: Voice:
Piano, Voice
G. Henle
On a de la peine à y croire : les cinq pièces rassemblées ici étaient jusqu?...
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On a de la peine à y croire : les cinq pièces rassemblées ici étaient jusqu?à peu inaccessibles. Il existe donc encore des ?uvres vocales de Beethoven à découvrir ! Ces cinq brèves pièces à plusieurs voix sont idéalement à exécuter par des solistes accompagnés d?une partie de piano obligée. Il s?agit de trois chansons (N°1-3) et de deux arrangements originaux de compositions pour ch?ur très connues le « Bundeslied » op.122 et le « Opferlied » op.121b.
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Franz Joseph Haydn: Songs For Voice And Piano: Voice: Vocal Album
Piano, Voice
G. Henle
Joseph Haydn composa une multitude de lieder qui s?ils restèrent quelque peu e...
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Joseph Haydn composa une multitude de lieder qui s?ils restèrent quelque peu en retrait par rapport au reste de son ?uvre n?en sont pas moins de très grande qualité. Ce volume contient tous les lieder pour voix et piano dont l?authenticité est avérée. Ainsi outre les grands cycles de lieder allemands et de canzonettes anglaises il propose également des pièces indépendantes célèbres telles que «Gott erhalte Franz den Kaiser!» si souvent adapté par la suite. Pour cette édition urtext fondée sur l?édition complète des ?uvres de Haydn la spécialiste de Haydn Marianne Helms a pu s?appuyer sur de nouvelles sources si bien que la partition reflète l?état actuel de la recherche.
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Robert Schumann: Frauenliebe Und Leben Op.42: Voice: Vocal Album
Piano, Voice
[Sheet music]
G. Henle
'Yet you a man have sensed in these songs a depth which hardly the most knowin...
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'Yet you a man have sensed in these songs a depth which hardly the most knowing female heart can feel!' Thus an admirer wrote to Robert Schumann concerning his song cycle Frauenliebe Und Leben.Schumann’s empathy with the highly romantic inflections of Adelbert von Chamisso‘s poetry may also have arisen from the circumstances that prompted this cycle for it was written during one of the happiest periods of hislife just before his marriage to Clara Wieck. Ever since its initial publication Frauenliebe Und Leben has been immensely popular with male and female singers alike. Now it appears for the first time in a Henleurtext edition equally well-suited for medium male or female voice (mezzo soprano or baritone).
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Evgeny Kissin: Thanatopsis op. 4 für Frauenstimme und Klavier: Vocal and Piano:
Piano, Voice
G. Henle
Thanatopsis op. 4 for female voice and pian. It is a great pleasure to present, ...
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Thanatopsis op. 4 for female voice and pian. It is a great pleasure to present, with Thanatopsis, maestro Kissin?s opus 4, an expressive setting of the ground-breaking poem from the quill of William Cullen Bryant. Published in in the form known today in 1821, it is an early example of American romantic poetry of the 19th century. Bryant is today reckoned among the group of ?Fireside Poets? or ?Schoolroom Poets?, names that allude to the places where their poems were usually recited. His poems ? first and foremost Thanatopsis (?A Consideration of Death?) as his most famous ? are rooted in the English tradition, but at the same time show Bryant?s openness to a genuine American language and lifeworld. Evgeny Kissin?s setting is a large vocal scene intensely informed by recitative, which congenially allows the prevailing mood of the text to resound. Our edition additionally includes German and French translations of the poem and an informative afterword about Bryant?s life and work and the genesis of Thanatopsis.
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Ludwig van Beethoven: Samtliche Lieder Band I: Voice: Vocal Album
Piano, Voice
G. Henle
Ludwig Van Beethoven: Samtliche Lieder Band I (Urtext)
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Robert Schumann: Twelve Poems Op. 35 Set Of Songs On Texts: High Voice: Vocal
Piano, Voice
G. Henle
Twelve Poems op. 35 Set of Songs on Texts by Kerner-As with the Dichterliebe (H...
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Twelve Poems op. 35 Set of Songs on Texts by Kerner-As with the Dichterliebe (HN 549) Frauenliebe und Leben (HN 547) or the song cycles with texts by Heine and Eichendorff (HN 548 and 550) the Kerner Cycle op. 35 was written in 1840 Schumann?s ?Liederjahr?. Yet ithas a special place: it was composed in the time immediately following Schumann?s marriage to Clara Wieck.Schumann set a series of poems to music in November during a ?quiet week which went by withcomposing and much loving and kissing? and the cycle was complete by the turn of the year. It contains a great deal of intimate musical innuendos. The first edition of 1841 was soon followed by a second issue many of the songswere published individually and the ?Wanderlied? soon became a core piece in the repertoire. With this edition the songs in Schumann?s cycle are once again being published together in a single volume.
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Ludwig van Beethoven: Lieder und Gesänge mit Klavierbegleitung: Voice: Score
Piano, Voice
G. Henle
Wissenschaftliche Gesamtausgabe
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Ludwig van Beethoven: Lieder Und Gesange Mit Klavierbegleitung: Voice: Score
Piano, Voice
G. Henle
Lieder Und Gesange Mit Klavierbegleitung
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Franz Joseph Haydn: Arianna A Naxos - Cantata A Voce Sola: Voice: Vocal Album
Piano, Voice
G. Henle
Dans l?histoire de l?opéra le célèbre mythe d?Ariane la fille du roi abando...
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Dans l?histoire de l?opéra le célèbre mythe d?Ariane la fille du roi abandonnée par Thésée l?homme qu?elle aime est un matériau de prédilection. Avec «Ariane à Naxos» cantate en solo italienne vraisemblablement composée fin 1789 Joseph Haydn réussit une ?uvre poignante illustrant le drame psychologique de l?une des femmes les plus profondément blessées de la mythologie grecque. Deux récitatifs et deux airs d?une grande force musicale voient passer la fille du roi de la peur à la fureur et du deuil à l?amour éploré. Pour son interprétation le soprano pourra s?appuyer à tout moment sur l?édition urtext. Une préface livrant des informations intéressantes sur la genèse de lacantate et de précieuses indications relatives à l?interprétation des récitatifs complètent cette édition élaborée avec soin.
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Ludwig van Beethoven: Music to Goethe's Tragedy 'Egmont' op. 84: Piano:
Piano, Voice
G. Henle
Piano Score version of Beethoven's indicidental music to Egmont.
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Songs With Lyrics By The Schubert Circle (SCHUBERT FRANZ)
Piano, Voice
G. Henle
Par SCHUBERT FRANZ. Edition Urtext de Walther Dürr d'après la Nouvelle Edition...
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Par SCHUBERT FRANZ. Edition Urtext de Walther Dürr d'après la Nouvelle Edition Complète des oeuvres de Schubert, comprennant la tonalité d'origine ainsi que la transposition. Une coproduction avec Bärenreiter-Verlag, Kassel. Contenu: Am Fenster op. 105, 3 D 878 An Silvia op. 106, 4 D 891 Das Heimweh op. 79, 1 D 851 Das Weinen op. 106, 2 D 926 Das Zügenglöcklein op. 80, 2 D 871 Der Wanderer an den Mond op. 80, 1 D 870 Der Zwerg op. 22, 1 D 771 Die Allmacht op. 79, 2 D 852 Die junge Nonne op. 43, 1 D 828 Die Liebe hat gelogen op. 23, 1 D 751 Die Sterne op. 96, 1 D 939 Drang in die Ferne op. 71 D 770 Fischerweise op. 96, 4 D 881 Heimliches Lieben op. 106, 1 D 922 Im Freien op. 80, 3 D 880 Jägers Liebeslied op. 96, 2 Nacht und Träume op. 43, 2 D 827 Schatzgräbers Begehr op. 23, 4 D 761 Schwanengesang op. 23, 3 D 744 Sehnsucht op. 105, 4 D 879 Selige Welt op. 23, 2 D 743 Vier Refrainlieder op. 95 D 866 Vor meiner Wiege op. 106, 3 D 927 Wandrers Nachtlied op. 96, 3 D 768 Wehmut op. 22, 2 D 772 Widerspruch op. 105, 1 D 865 Wiegenlied op. 105, 2 D 867 / Partition brochée / Date parution : 1905-06-13/ Répertoire / Chant et Piano
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Songs With Lyrics By Mayrhofer And Other Poets
Piano, Voice
G. Henle
/ Voix Et Piano
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Songs With Lyrics By Goethe, Schiller And Other Poets (SCHUBERT FRANZ)
Piano, Voice
G. Henle
Par SCHUBERT FRANZ. Urtext of the New Schubert Complete Edition in both original...
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Par SCHUBERT FRANZ. Urtext of the New Schubert Complete Edition in both original key and transposition, edited by Walther Dürr. A coproduction with Bärenreiter-Verlag, Kassel. Contents: An Emma op. 58 D 113 Auf dem See op. 92 D 543 Der Alpenjäger op. 37D 588 Der Jüngling am Bache op. 87 D 638 Der Musensohn op. 92 D 764 Der Pilgrim op. 37 D 794 Der Unglückliche op. 87 D 713 Des Mädchens Klage op. 58 D 191 Geistes-Gruß op. 92 D 142 Gesänge aus 'Wilhelm Meister' op. 62 D877 Gruppe aus dem Tartarus op. 24 D 583 Hektors Abschied op. 58 D 312 Hoffnung op. 87 D 637 Lied der Mignon [Heiß mich nicht reden] op. 62 D 877 Lied der Mignon [Nur wer die Sehnsucht kennt] op. 62 D 877 Lied der Mignon [Solaßtmich scheinen] op. 62 D 877 Mignon und der Harfner [Nur wer die Sehnsucht kennt] op. 62 D 877 Schlaflied op. 24 D 527 Sehnsucht op. 39 D 636 Suleika II op. 31 D 717 / Partition brochée / Répertoire / Chant et Piano
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